Presently working on an animated feature film featuring a well-known Hasbro property.
Cinesite
I worked at Cinesite for over a year doing the initial editing for a feature film (TBA)
Framestore - VFX Editor
I did some occasional work at Framestore as a VFX editor - preparing and exporting shots and sequences as part of their workflow in collaboration with external clients in the UK and USA. Projects were in various stages - from development of characters and lookdev to the final visual effects approvals. Further details available upon request.
Pundersons Gardens - Assistant Editor
Sömmarstållet
This story of a group of friends holidaying together in the Swedish town of Sömmarstållet was taken from FCP7 into Avid for the benefit of the new editor working in Sweden.
It was then onlined, and transferred back into FCP for later grading and finishing options - as well as to use the existing subtitles work from an earlier cut.
Aardman Features - VFX Editor
The Pirates! In an Adventure with Scientists / Band of Misfits (international title)
I was originally hired by the VFX department to update the Avid during the previs stage to run exports and conform our sequences to the latest edit. As time went on, my role evolved as I took on more duties and responsibilities and started to oversee the delivery of VFX shots, until I ultimately gained a credit as VFX Editor for the film.
In this role I also trained my own assistant, who because responsible for prepping screenings and updating documents on the asset management network.
The Pirates! In an Adventure with Scientists is a stereoscopic stop-motion animation feature film, which was released worldwide in March 2012.
Previs responsibilities -
updating shots in timelines
conforming sequences to editorial changes
listing changes to be made to conform to the latest edit
briefing artists and supplying them with appropriate reference materials
running departmental reviews with directors and various heads of department
VFX responsibilities -
sending latest versions to editorial
tracking shot approvals
providing version delivery lists for intermediary conforms, trailers, promotional materials, and the final film
communicating and tracking requests from directors/ editorial for changes to shots which will have an impact on VFX work.
relaying information about new and cut shots to the VFX department
responding to queries about approved take versions, edit changes, greenscreen plate sync
creating temporary effects in Avid for VFX artists to see how the plates could interact and to remove distractions such as rigging for screenings.
See also "A Day In The Life at Aardman VFX" for an example of my day to day work schedule.
